Starring: Jenny Agutter , Hugh Bonneville
Directed by: Giles Foster , Ronald Wilson
Produced by: Peter Goodchild , Barry Letts
Written by: George Eliot , Maggie Wadey
The next collection in the successful BBC Classics line comes to life with an assortment of all-star casts in five of George Eliot’s beautifully astute literary works.
Item Number: 14080
Middlemarch - A Reader’s Guide (40 min)
George Eliot: A Scandalous Life (60 min)
Daniel Deronda Behind-the-Scenes Photo Gallery
Adam Bede
Adam Bede is a hard-working carpenter, with his heart set on marrying his sweetheart, pretty dairymaid Hetty Sorrel. Unfortunately, Hetty's affections are captured by the local squire, Arthur Donnithorne; that is, until Bede intervenes. But it's too late ñ Hetty finds herself pregnant by the unruly landowner. Destitute and exhausted, she gives birth to the child, and, overcome by despair, abandons it. In a horrendous turn of events, she finds herself accused of the baby's murder and the sentence for which is the death penalty. Beneath the tranquil surface of George Eliot's tale, passions run deep and the bitter gall of betrayal is all too prevalent...
Silas Marner
Falsely accused of theft by the friend
who stole his fiancé, linen-weaver Silas
Marner is driven from his religious
community.Taking refuge in the distant
village of Raveloe, he becomes a
recluse, shunning human contact and
instead amassing a huge pile of gold
which he lovingly counts every night.
Enter Dunstan Cass, the dissolute
younger son of the local squire. Deep
in debt, he steals the gold and
disappears. Once more Silas is left
bereft.
Then one night he comes home to a
warm and vital replacement for his
lost gold – a baby girl asleep on the
hearth. Silas adopts her, christens her
Eppie after his mother, and rears the
girl with enormous tenderness and
love.
But even this newfound happiness
comes under threat. Eppie’s real father,
Godfrey Cass, wants to reclaim her. Is
Silas to lose everything again?
The Mill on the Floss
Tom and Maggie Tulliver are the
children of the honest but obstinate
owner of Dorlcote Mill on the Floss.
Tom is a prosaic youth, lacking in
imagination and sensibility. Maggie is
clever, a lover of books and music
whose looks match her intelligence.
She finds a kindred spirit in Philip
Wakem, the deformed son of a lawyer
who lives nearby. But legal dealings
have caused trouble between Mr
Tulliver and Mr Wakem.The miller’s
hatred of Mr Wakem is so bitter that
it brings him to a stroke and eventually
to his death.Tom, who echoes his
father in everything, is incensed when
he discovers that Maggie and Philip
have been meeting in secret. He insists
upon her ending the relationship.
Maggie pays a visit to St Oggs to see
her cousin Lucy Deane.There she
meets Stephen Guest, Lucy’s fiancé.
Although loyal to his betrothed, this
urbane, cultivated young man is
attracted by Maggie’s beauty and she
finds herself drawn to him. A boating
expedition leads to Maggie being
compromised, although in fact she is
completely innocent. She is turned out
of the house by Tom and ostracised by
St Oggs society.
Then a great flood comes to the
district. Maggie, in a small boat rescues
Tom from the mill. He now realises
her true worth and his own failings.
Brother and sister are reconciled at
last. But the boat is overwhelmed and
both are drowned.
Drama, romance, tragedy, humour –
Maggie’s relations are often very funny
– all have a place in this most popular
of George Eliot’s novels.
Middlemarch
Middlemarch is a story of provincial life
on the brink of momentous change:
the Industrial Revolution will split the
town into two opposing factions, the
conservatives and the progressives. It
is also a deeply moving saga of a
group of people striving to give
meaning and value to their lives:
Dorothea, an innocent idealist who
misguidedly marries the ageing scholar
Casaubon, who proves to be a jealous
and impotent failure .
Will Ladislaw, a restless artist who falls
passionately in love with Dorothea
and unexpectedly gets caught up in
the Political Reform Movement.
Tertius Lydgate, an ambitious young
doctor thwarted by political intrigue
and the endless demands of his pretty,
shallow wife.
Fred Vincy, son of the Mayor, in love
with Mary Garth, his social inferior.
Nicholas Bulstrode, the banker with
fanatical religious beliefs and a secret
to hide.
Daniel Deronda
Set in the 1860s, Daniel Deronda is a
passionate, intense love story which takes
both hero and heroine, Daniel Deronda
and Gwendolen Harleth, on a journey of
eventual self-fulfillment.
Gwendolen Harleth falls in love with the idealistic
Daniel Deronda when she first sees him at
the roulette table.They couldn’t be more
different. Gwendolen is a spoiled child,
outwardly alluring and vivacious, selfishly
determined to get what she wants out of
life. Daniel is sensitive, caring, highly
intelligent but an illegitimate son who is
haunted by doubts about his own identity.
He is drawn to Gwendolen as he senses
the vulnerability and despair that lurk
behind the brilliant façade.
Adam Bede
| Adam Bede | --- | Iain Glen |
| Hetty Sorrel | --- | Patsy Kensit |
| Dinah Morris | --- | Susannah Harker |
| Arthur Donnithorne | --- | James Wilby |
| Mrs. Poyser | --- | Julia McKenzie |
| Reverend Irwine | --- | Robert Stephens |
| Lisbeth Bede | --- | Jean Marsh |
| Old Squire | --- | Freddie Jones |
| Court Official | --- | Michael Percival |
| Martin Poyser | --- | Paul Brooke |
| Totty Poyser | --- | Paul Brooke |
| Tommy Poyser | --- | Chase Marks |
| Marty Poyser | --- | William Holmes |
Silas Marner
| Silas Marner | --- | Ben Kingsley |
| Nancy Lammeter | --- | Jenny Agutter |
| Godfrey Cass | --- | Patrick Ryecart |
| Squire Cass | --- | Freddie Jones |
| Dunstan Cass | --- | Jonathan Coy |
| Eppie | --- | Patsy Kensit |
| Baby Eppie | --- | Elizabeth Hoyle |
| Little Eppie | --- | Melida Whiting |
| Molly | --- | Angela Pleasence |
| Dolly Winthrop | --- | Rosemary Martin |
| Ben Winthrop | --- | Robert Putt |
| Jem Rodney | --- | Jim Broadbent |
| Mr. Snell | --- | Tony Caunter |
| Mr. Macey | --- | Michael Bilton |
| Bob Dowlas | --- | Nick Brimble |
The Mill on the Floss
| Tom Tulliver | --- | Christopher Blake |
| Bessy Tulliver | --- | Judy Cornwell |
| Lucy Deane | --- | Mona Durbridge |
| Maggie Tulliver | --- | Pippa Guard |
| Philip Wakem | --- | Anton Lesser |
| Stephen Guest | --- | John Moulder-Brown |
| Tom Tulliver | --- | Jonathan Scott-Taylor |
| Maggie Tulliver | --- | Georgia Slowe |
| Mr. Tulliver | --- | Ray Smith |
| Uncle Deane | --- | John Stratton |
Middlemarch
| Dorothea Brooke | --- | Juliet Aubrey |
| Rev. Edward Casaubon | --- | Patrick Malahide |
| Dr. Tertius Lydgate | --- | Douglas Hodge |
| Rosamond Vincy | --- | Trevyn McDowell |
| Arthur Brooke | --- | Robert Hardy |
| Will Ladislaw | --- | Rufus Sewell |
| Bulstrode | --- | Peter Jeffrey |
| Celia Brooke | --- | Caroline Harker |
| Caleb Garth | --- | Clive Russell |
| Fred Vincy | --- | Jonathan Firth |
| Mary Garth | --- | Rachel Power |
Daniel Deronda
| Daniel Deronda | --- | Hugh Dancy |
| Gwendolen Harleth | --- | Romola Garai |
| Henleigh Grandcourt | --- | Hugh Bonneville |
| Mirah Lapidoth | --- | Jodhi May |
| Sir Hugo Mallinger | --- | Edward Fox |
| Lydia Glasher | --- | Greta Scacchi |
| The Contessa | --- | Barbara Hershey |
| Mrs Davilow | --- | Amanda Root |
| Mrs Meyrick | --- | Celia Imrie |
| Klesmer | --- | Allan Corduner |
| Mordecai | --- | Daniel Evans |
| Lush | --- | David Bamber |
| Hans Meyrick | --- | Jamie Bamber |
| Rev Gascoigne | --- | Michael Attwell |
| Ezra Cohen | --- | Simon Schatzberger |
| Rex Gascoigne | --- | Jordan Frieda |
| Lady Pentreath | --- | Jane How |
| Catherine Arrowpoint | --- | Anna Steel |
“Take this engrossing rural classic by George Eliot, add fine costumes and lavish photography and the result is a gripping romantic tragedy that doesn’t let up for a moment.”- Daily Mail
“Elegant detail was part of the power
of director Giles Foster’s fine adaptation
of Adam Bede. The hay fields and the
horses glistened in careful composition
like a Stubb’s landscape.”
- Independent on Sunday
“Magnificent.”- Mail on Sunday
“As the child reawakens the old man’s
faith in life, so this production rekindles
a disillusioned old grump’s belief in the
salutary powers of television.”
- Washington Post
“The production beautifully captures
the feel of a small village in the early
19th Century. And the fine cast lends
wonderful support to Mr Kingsley’s
intense and affecting portrait of a
quiet, self-effacing man.”
- NewYork Times
“Richly designed, handsomely acted...
a masterful achievement.” - Variety
"Andrew Davies’s adaptation is another object lesson in how to turn a classic novel into compelling TV drama with a fresh, contemporary feel. Handsome, fast-moving and crisply edited, it is driven by some superb performances, notably from Hugh Bonneville... By the end of part one, you’ll be hooked."- Daily Mail
“...outstanding in every respect." - Daily Telegraph
"This is going to win all the prizes going. Don’t miss it."- Daily Mail
"Outstanding in every respect."- Daily Telegraph